Friday, October 31, 2008

Packaging Solutions

awaken tea
Photobucket

And we've come to the end... (as if there was such a thing)
Something that might not have come up on the blog before is the set of refill boxes. I decided that would be a good idea, since the clay packaging would be costly. Now people can refill it with our tea or just buy the refills if they're not interested in the Inca pottery (which I would find very obnoxious). Obviously, the boxes are printed on 100% chlorine-free, 100% recycled paper (becket cambric from mohawk) which is produced with wind power. S0 there.

Thursday, October 23, 2008

The Home Stretch





This is pretty much what the packaging looks like. Now I have to focus on my presentation (which is already outlined) and making those clay boxes that are driving me insane. I really wish I could comission a ceramics major to do them... but it's too late now. Wish me luck, I'll need it.

Tuesday, October 21, 2008

lkjahsdflkjhasdflkjhasdfklj




wow!  look at how things have changed, darling.

Thursday, October 16, 2008

packaging inspiration





I'm struggling with the fact that I don't want my package to look like some handy craft mom made. I want textures but it has to look LEGIT.

The first image is my inspiration, Inca pottery. Yesterday I went on a retail journey to Stonewall Kitchen and Sur la Table. The rest of the images are some of the packages that caught my attention. I didn't find anything with baskets incorporated in the packaging. Shitty.

Sustainable Design / Learning Defficiency by Joel Towers

We've been assigned to comment on this article, with a requirement to answer 4 questions in the process. The article is about teaching sustainability in design schools and what are the challenges that arise.

School administrations, as well as professors and student body, don't welcome change. Surprisingly enough, the design community does not stand out for being more active in the pursuit of a sustainable way of living. We don't want our consumption patterns to shift. The teaching of sustainability is also hampered by the fact that the change needs to come in at individual, collective, national, transnational and global levels, as well as rural, urban and biospheric. The author also speaks of a lack of significant long term design research and theoretical frameworks needed to explore how our interaction with the natural world influences aesthetics, form, meaning and organization. Sustainability also suffers from an image problem, which is pretty apparent to all of us. If I have to see another sans serif lowercase brand printed light green on recycled paper I think I'm gonna throw up. Joel Towers believes sustainability needs to be perceived as integral to our future and hip. I agree mostly with the former. The latter seems to have been tackled and now I feel we need to move forward towards more widespread awareness of the issues at hand.
After stating all these challenges, the author procedes to say that these changes wouldn't be that hard to apply. He believes a combination of project assignments that nurture sensitivity to modes of production, energy flow and material selection -as well as waste reduction and redefinition- can all be incorporated into existing design programs with little to no impact on teaching methods or on the structures of established curricula.
Mr. Towers believes design has the capacity to explore and explain complex systems and to catalyze change through storytelling and by the production of alternative possibilities, therefore having a leading role in changing the way we think about the world.
In terms of requirements for this changes to take place,  it is important to gain broad social engagement, enforce collaboration and use transdisciplinary teaching structures. Also to seek out knowledge well beyond isolated professional disciplines or "best practice" models. The challenge becomes teaching the students the skills they need to excel in the marketplace while giving them the knowledge they need to remake that very marketplace. Teachers need to move away from traditional models of delivering knowledge and start focusing on teaching students how to continually learn new skills and gain knowledge to solve the problems they encounter, even if that means thinking outside the realm of graphic design.

Wednesday, October 8, 2008

Certified Organic, Certified Naturally Grown, Or Certified By You?

Interesting article about what is actually organic and a little bit about how the certification works. Written by Ethan Book. 

Experiment with corn husks




Over the weekend, I experimented with using corn husks to make my packaging. The idea was to use the tecnique of paper mache and make a box, but a couple of things went wrong. First of all, I was using potato flour, as a friend & classmate who shall remain nameless told me it would work better than regular flour. Well, I didn't know I was supposed to boil the mixture of flour + water, so I went ahead and spent a whole afternoon playing with this stuff and when I got home at the end of the day found it all dried out and falling apart. I was pissed, hence the lack of pictorial documentation of the results. It looked pretty while it lasted, though, check out those colors!! I'm still considering it, maybe as a side project. Because I have so much time for side projects right now, you know?